Adventures in Off-Camera Flash

This is a portrait of my musician brother who wanted something he could use on social media. I set up my Profoto B1 and B2 wireless strobes in my neighbor’s backyard because they have a nice red fence I like to use as a background.

burke

For this portrait, I wanted to try and surround Burke with soft, pleasing light. The rule I have learned is this:  The closer my light is the subject the softer it will be. The same goes for the light modifier. The larger the modifier in relation to the subject, the softer the light will be.

I started with my key light, a Profoto 2 x 3 OCF softbox on a Profoto B1 monolight on camera right. For a fill light, camera left, I used a 1 x3 foot stripbox with grid to soften the shadows. Just for fun, I used my 2-foot beauty dish (gridded) as a kicker light behind camera left and another stripbox camera right, aimed at the fence in the background.

I put my camera on manual and set my ambient exposure to about a stop under exposed. I set my Profoto Air Remote to TTL mode and took a tight shot of Burke’s face to get a correct flash exposure. I then switched to manual mode on the Air Remote (it locks in the TTL settings) and made exposure adjustments to each light.

Here is the great thing about wireless strobes. I can set each strobe on its own group setting. From the Air Remote, I  can then select a group–in this case my key light was group A– and make an exposure adjustment for just that strobe.

Once I got each light (group) dialed in, I shot with my Nikon D850 and 85mm Nikon /1.4 lens set to f/4; ISO 100 at 1/250 of a second shutter. White balance was set to daylight.

The cool thing here is that you don’t need all this expense Profoto gear to make a portrait like this. A cheap set of wireless speedlights, a controller, and some inexpensive umbrellas would have worked just a well.

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