Our directions were a bit fuzzy, just a point on a Google map next to a forest logging road in the Blue Mountains of Washington state. Spokesman-Review Reporter Abby Lynes and I were getting nervous as the sun inched toward the horizon and, well, we were in Bigfoot country. Read her story here.
We had come the the Blue mountains in search of Bigfoot, or rather Cliff Barackman, a Bigfoot researcher and co-host of Animal Planet’s “Finding Bigfoot” TV series.
Turning a corner, there he was sitting in a lawn chair next of his Jeep Wrangler waiting for us. Our plan was to camp with Barackman and then go out at night to see if we could get a Bigfoot to respond to Barackman’s Sasquatch call.
I realized that my golden light moment was fading, and I quickly grabbed my Godox location light kit and went to work. I noticed the sunset peaking through the forest trees. I had Barackman stand on a stump as I placed my lights. My key light is a Godox AD200 placed camera right. I used a 28-inch Westcott Rapidbox beauty dish with soft grid as my modifier. Next, I quickly placed a second strobe, a Godox 860II, behind him camera left. I put a Magod grid with a CTO (color temperature orange) gel to mimic the evening sunlight and to add a bit of edge light.
Now the pressure was on. We drove a mile down the road to our campsite. It had an open view of the sun setting.
One of the themes I continuously face with location lighting is time constraints. “You only have ten minutes,” is what I usually get from coaches, executives, or in this case the sun.
I positioned Barackman with the sun to his back. I used just one light this time, a Godox AD200 with a beauty dish covered with a soft grid. The lighting challenge here is one where TTL (through the lens metering) and high-speed sync (HHS) of the strobe works great. In order for me to get the rich light of the sun, I had to under expose my ambient light. With the strobes HSS I was able to go above my camera’s limited sync speed of 250th and raise it to 1600th of a second. My camera monitor showed me a properly exposed background, but Cliff was a silhouette. I now add the strobe light. The great thing about the wireless Godox strobes is that I can adjust the output right from my camera’s hot-shoe mounted trigger. The TTL read the light pretty good, but Cliff was a bit under exposed. I bumped the strobe one stop and got the perfect exposure I was looking for just as the sun went below the horizon.
Time to setup camp
That night, Barackman took us out on a midnight stroll along dark logging roads. When I say dark, I mean only moonlight. You see, flashlights and camera strobes are not one of Bigfoot’s favorite things. We spent a few hours calling Sasquatch, but unfortunately no replies. Also no decent photos. No worries! When we got back to camp, I asked Cliff to pose in the forest with is thermal images viewer.
This time I used two Godox strobes– front, camera left with a Magmod grid and a warming gel, and a speedlight with a blue gel placed about ten feet behind Cliff. The warm and cool gels created the atmosphere I was looking for. I was hoping to catch the reflection a Bigfoot’s eyes in my photo, but I’m sure the gentle giant was somewhere far, far away.